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Digital and US coverMusic videoon' Trouble' is a song recorded by American musician for her third studio album. It was written by and Pink and features a prominent guitar. The song was released as the album's first in North America and second international single.

It was moderately successful, its highest peak on the at number two. The single peaked at number 68 on the and at number 7 on the; a subsequent cover in 2005 by was also commercially successful in the UK, peaking at number 20.The song won Pink a for in 2004. The song was featured in the films, and and television series,. It is also featured in the trailers for, and in the promo for TV show.It is also featured in the video game.Jeremy Renner guest stars as the sheriff in the music video. Contents.Background Tim Armstrong had originally written the song for his own band 's 2003 album, however the song failed to make the final cut so when asked to work with Pink, he brought the song to her attention and it was partially re-written with her. In 2012, Armstrong would finally record the song himself under the name.Critical reception 'Trouble' has received positive reviews from critics. Allmusic highlighted the song and noted that the similarities of 'Trouble' and Nirvana's cover of the Vaselines' 'Molly's Lips' may be on purpose.

• Delirium, Welcome into the world of the Pink Elephant.
• In 1992, the 'confrerie of the pink Elephant' was founded. Its task is to promote 'Delirium Tremens' and the other beers of Melle. The brewery Huyghe took over the breweries 'Campus', 'St Idesbald' and 'Vielle Villers'.In 1992, the 'confrerie of the pink Elephant' was founded. Its task is to promote 'Delirium Tremens' and the other beers of Melle.

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David Browne complimented: 'Fans of Pink's earlier records may not be thrilled - in fact, the punk-lite first single, Trouble, is running into trouble of its own on the pop charts - but one has to admire Pink's musical fearlessness, equal in its way to Justin Timberlake's.' The Guardian wasn't that positive at all: 'Trouble blusters crossly, without ever revealing what the matter is, a state of affairs not helped by its clumsy phraseology.

'If you see me coming down the street,' she snarls, 'you know it's time to go' - well, you said it.' Rolling Stone wasn't either: 'Pink seems to be on autopilot through the first few tracks of Try This; she swaggers her way through insubstantial, predictable rants about going out on the town and battling emotionally challenged losers. 'I'm trouble, yeah, trouble now/I'm trouble, y'all, I disturb my town,' she brags in 'Trouble.' Sal Cinquemani wrote: 'The stiff-wristed herky-jerky first chords of the album's opening song (and lead single), 'Trouble,' pointedly announce Pink's new punk-rock sound. The repetitive hook of the raucous 'Trouble,' one of 10 new tracks co-written and produced by Rancid's Tim Armstrong, wears a bit thin but there's no denying its infectious b-section.' Stylus magazine was favorable: 'Try This opens with “Trouble”, the first of eight tracks on the album co-helmed by Rancid’s Tim Armstrong. Pink and Armstrong cram as many ideas as possible into “Trouble”, from an Any Trouble (ha!) guitar solo to a Huey Lewis and the News-esque brass-laden breakdown, Hammond organ, layered vocals whatwhatwhat?'

Nick Catucci was proud, too: 'Album opener and settled-upon single 'Trouble' isolates Rancid's primary strains: spare, beat-propelled verse poised for a declarative, kick-guitar chorus; that warm organ; a simple, squealing solo; wistful, throaty bridge to furious finale. Vacillating subtly between soulful and snotty, Pink's voice speaks more to her conflicts as an artist than as the daughter and girlfriend who stomped through Missundaztood.' Music Canada was favorable: 'Raw guitars mesh effortlessly with dance beats on middle-finger waving anthems like 'Trouble' and they noted that this song is miles ahead of the 'likeminded efforts on Pink's mixed-up Missundaztood, and further benefit from Armstrong's scruffy but generally unerring pop sense.'

Music video. The music video features a Western theme throughout, with one of the settings from inside a saloon.The song's is -themed. It was directed by Sophie Muller.

The video opens with Pink galloping with speed through a forested area while checking over her shoulder indicating that she is possibly being pursued. She her until she pauses at the edge of a small town (population 96) which is called Sharktown. The town is depicted as a dull place and even a tumble weed blowing down the street is seen.

Pink looks to her right and sees a flag with three black stars which pays homage to the flag of and indicates that events depicted in the video are likely to have occurred prior to the turn of the 20th century. She then looks down and sees a crude grave marker which bears the name 'Corky'.

She checks her make up briefly in a small compact and proceeds to ride deeper into the town.There is a wide establishing shot of Pink as she moves through the main street. Local residents survey her from the shadows and treat her with mistrust and suspicion.

An old woman in rags blesses herself while others, including a young girl and a dirty looking man stare at the stranger open mouthed. A quick zooming shot indicates that she is being watched by a character in a black shirt wearing eye liner, who is later revealed as the sheriff. She sees several horses tied up and immediately notices that there appears to be an element of animal cruelty in the manner in which the horses are being cared for. Upon inspecting the ankles of the horses there appears to be ligature marks and Pink, believing that more could be done in relation to the welfare of the animals begins a brawl with the men nearby. She is the victor of the short fight and disperses with her opponents in a variety of ways such as tossing them into water troughs or slamming their face off the side of the wooden buildings. The sheriff is obviously nervous of the impact that this new character is having on the town and spits in disdain.She then enters a and pushing two existing customers that are already standing at the bar aside she attempts to order a drink.

The looks to the , who has been watching Pink since she arrived for confirmation before he prepares the beverage. When the sheriff indicates 'no,' and the bartender refuses to serve Pink she falls into a blind rage and grabs the bartender by the scruff of the neck and screams in his face before leaping over the counter and tossing him into the public area of the saloon. These actions become the catalyst for an ever bigger brawl and though attacked by many of the patrons Pink continues to fight on though furniture is being destroyed and presumably severe injuries are being experienced by many occupants. The fight simmers down very quickly though and while Pink is taking a moment to relax and sing on the bar's piano the sheriff decides to take an opportunity to subdue her and smashes a bottle on her head and she is carried, despite her struggles, to a cell in the sheriff's office.Pink seduces the sheriff, even though she kicked him in the face while she was being incarcerated, it appears that the physical contact has got his attention and he is sexually attracted to her. He lets her out of the cell and while they are playfully engaging in light foreplay with each other the handcuffs are transferred from her wrists to restraining the sheriff to the window bars of his own office.

She escapes custody and immediately heads back to the bar for another fight. As the sheriff struggles against his shackles Pink and several other women (specifically, ) begin a style of dancing on top of the bar counter.

She runs frantically from room to room and gets the attention of various ladies who it is insinuated are prostitutes and are being affectionate to the clientele. The ladies join the rebellion against the male oppression and one by one the men are defeated until a showdown situation arises where Pink and the sheriff face each other in a whip fight on the middle of the broad main street. The sheriff loses and succumbs to the women of the town who surround him immediately. She removes the town's flag and waves it above her head.

Weekly charts Chart (2003)PeakpositionAustralia 8Austria 5Belgium ( Flanders)22Belgium ( Wallonia)1Canada 2Denmark 8Germany 7Greece 26Ireland 7Italy 11Netherlands 22New Zealand 20Norway 5Poland 17Romania 80Sweden 8Switzerland 5(Official Charts Company)7US68US ( )16Year-end charts Chart (2003)Position68Certifications RegionCertification/salesAustralia Gold35,000 ^Norway ( Norway)Gold5,000.United States N/A233,000.sales figures based on certification alone^shipments figures based on certification aloneReferences. ^ Cinquemani, Sal (October 23, 2003). Retrieved August 24, 2011. Cite error: The named reference 'slantmagazine' was defined multiple times with different content (see the ). Retrieved 2015-11-07. Retrieved 2015-11-07.

Petridis, Alexis. The Guardian. Retrieved 2015-11-07. Rolling Stone.

Retrieved 2015-11-07. Archived from on 2016-03-04. Retrieved 2015-11-07.

Village Voice. Archived from on 2012-10-18.

Retrieved 2015-11-07. Archived from the original on September 24, 2006. Retrieved 2015-11-07. CS1 maint: unfit url.

Retrieved 2015-11-07. Retrieved 2015-11-07. '. Retrieved May 1, 2015.

' (in German). Retrieved May 1, 2015. ' (in Dutch).

Retrieved May 1, 2015. ' (in French). Retrieved May 1, 2015. Retrieved March 19, 2019. Italic or bold markup not allowed in: publisher=. '.

Retrieved May 1, 2015. '. Retrieved October 26, 2018. Archived from on 2003-12-09.

Retrieved 2003-12-09. Retrieved 12 February 2018. '. Retrieved May 1, 2015. ' (in Dutch).

Retrieved May 1, 2015. '. Retrieved May 1, 2015. '.

Retrieved May 1, 2015. PiF PaF Production. Archived from on October 25, 2007. Retrieved November 26, 2016.

Romanian Top 100. From the original on 14 May 2005. Retrieved September 2, 2019.

'. Retrieved May 1, 2015. '. Retrieved May 1, 2015. Retrieved May 1, 2015. Retrieved October 29, 2016.

Retrieved 15 May 2018. Archived from on 2012-09-11.

Retrieved 2010-08-13. CS1 maint: archived copy as title. (PDF). Archived from (PDF) on 2012-12-09. Retrieved 2017-04-27. CS1 maint: archived copy as title. Retrieved 15 May 2018.

ght=420&platform=Win32&browser=MSIE&navi=no&subframe=Mainframe. Steffen Hung. Retrieved 2018-05-15. Retrieved 25 April 2013. (in Norwegian). Archived from on November 5, 2012. Retrieved February 25, 2014.

Hospital Delirium

2 October 2010. Retrieved 12 April 2018. If necessary, click Advanced, then click Format, then select Single, then click SEARCH.External links. at.

Various. (London, England). (London, England).

Echo (Los Angeles, California). (London, England). (Los Angeles, California). (Los Angeles, California). (Stockholm, Sweden). SMV (London, England).

The RedRoom (Gothenburg, Sweden). MXM (Stockholm, Sweden). P.S. (Stockholm, Sweden). (London, England). (Las Vegas, Nevada).

Kinglet (Stockholm, Sweden). Apmamman (Stockholm, Sweden). Splendido (, England). Little Kingdom (Los Angeles, California).

Golden Age (, New Zealand). (London, England). Musicbox (London, England).

Fly Eye (London, England). 'Released: 17 September 2015.

Pink Delirium Download Full

'Released: 9 January 2016. 'Released: 19 January 2016Delirium is the third studio album by English singer and songwriter, released on 6 November 2015. Were generally impressed by the overall production of the record, although they were ambivalent in regards to its originality. It debuted at number three on the and the US, earning Goulding her highest-charting record in the latter country and her highest first-week sales figures in both territories.

The album spawned three singles: ', ' and '. Contents.BackgroundGoulding has stated that the sound of the album is more pop-oriented than her previous releases.

Speaking in an interview, she said: 'A part of me views this album as an experiment, to make a big pop album; I made a conscious decision that I wanted it to be on another level'. Singles' was released as the album's lead single on 17 September 2015. The song received positive reviews and performed well commercially, reaching the top 10 in Australia, Canada, New Zealand and the United Kingdom, and number 13 on the.' ' was sent to in the UK on 9 January 2016 as the album's second single.

The song was released to in the United States on 19 April 2016.The third and final single from the album, ', impacted contemporary hit radio in the United States on 19 January 2016. Other songs' was released on 23 October 2015 as a from Delirium. During the week before the album's release, several radio stations premiered different tracks from the album. 'Don't Panic' premiered on 's show on 31 October 2015, while 'Keep On Dancin' debuted on 's show on 2 November 2015.The album includes Goulding's song ', which was originally released as a single from the to the 2015 film and became a commercial success worldwide. The deluxe edition also includes Goulding's collaboration with Scottish DJ, ', released as a single from his 2014 album.

The North American deluxe edition contains Goulding’s collaboration with American electronic music trio (also featuring American-Jamaican singer ), released as a single from their 2015 album.Critical reception Professional ratingsAggregate scoresSourceRating70/100Review scoresSourceRating2/10B−3/57.2/107/10Delirium received generally positive reviews from. At, which assigns a rating out of 100 to reviews from mainstream publications, the album received an score of 70, based on 15 reviews, which indicates 'generally favorable reviews'. Of remarked that the album 'seems to enjoy pushing pop's boundaries, and six years into her career feels like Goulding's first true superstar moment', while noting that her 'nuanced lyrics steer Delirium away from homogeneity'. Michael Cragg of wrote that the album 'goes straight for the pop jugular, unleashing a relentless barrage of bangers that almost always hit the spot.' Matt Collar of opined that 'it's the unexpectedly appealing combination of Goulding's distinctive voice and the melismatic bent of the songs on Delirium that makes for such an ecstatic listen.' Eve Barlow of commented, 'Finally, Goulding is embracing the responsibility to provide stone-cold tunes without pretense', adding, 'Perhaps she's finally come to terms with playing in the major leagues because she's sussed out the sweet spot between pop homogeneity and experimentation.'